Hot Buttered Rum Cornmeal

Hot Buttered Rum & Cornmeal – Tue Mar 6
Event on 2012-03-06 20:00:00
CO-HEADLINE SHOW! WINTER TOUR 2012

What a co-bill! Both of these bands have played The State Room to packed house with incredible music and energy. Very excited to have this power tour making a two night stop here in Salt Lake.

“Few things rejuvenate the soul like a warm fireside drink after an exhausting day in the snow. Hot Buttered Rum has that effect. Their original songs are instantly familiar and inviting, and their easygoing versions of timeless classics (the Beatles, Hank Williams) belie the intricacy of the arrangements.” The San Francisco Chronicle

Formed over 10 years ago, Cornmeal has grown from humble beginnings into a nationally recognized live music institution. Heavily influenced by American roots and folk music, Cornmeal blends lightning fast tempos and impeccable harmonies into an unrivaled live performance that continues to expand upon the five-piece acoustic-electric groups' vast musical repertoire. While steeped in the tradition of the past, Cornmeal continues to forge their own path, pushing the boundaries of bluegrass, Americana and folk for a whole new generation of music lovers.

Doors 7 pm | Show 8 pm

Single Show Tickets

Two-Night Tickets

at The State Room
450 South State Street
Salt Lake City, United States

THE FACELESS, DYING FETUS
Event on 2012-02-29 18:30:00

THE FACELESS

Line up: Jeff Ventimiglia – vocals Michael Keene – guitar Steve Jones – guitar Brandon Giffin – bass Brett Batdorf – drums Michael Sherer – keyboards The Faceless are a technical metal band from the Los Angeles area who have formed to astonish their live audiences with dizzying guitar work, lightning fast drumming and unmatched brutality. Formed by guitarist Michael Keene and bassist Brandon Giffin, the band quickly found the perfect mix of dedicated musicians to complete the line up. Drummer Brett Batdorf having played a brief stint with Himsa and long time drummer of the acclaimed Los Angeles death metal band Tchildres complimented the group perfectly and was added to the line up soon after. The combination of blistering guitar work, complex and fast-paced rhythms, offset by haunting keyboards and brutal vocals from singer Jeff Ventimiglia set The Faceless in a class with the metal legends who have come before to change metal forever. The Faceless have developed a large following from their dead accurate live performance and the online success of 3 songs recorded and produced by guitarist Michael Keene. The band has already become a buzz in the metal scene drawing up to 300 kids at local shows. The Faceless is quickly rising to the top in a sea of mediocrity to claim their place in metal virtuosity. In the past year The Faceless have been lucky enough to share the stage with such talented acts as: Cephalic Carnage, Vital Remains, Impaled, Through the Eyes of the Dead, Animosity, Ed Gein, The Number 12 Looks Like You, Into The Moat, Reflux, On Broken Wings, From A Second Story Window, Ion Dissonance, Crematorium, Phobia, Light This City, Neuraxis, Job For A Cowboy, Intronaut, Anal blast, All Shall Perish, Winter Solstice, Radiation 4, The Red Death, Embrace The End, Psyopus, Deadsoil, Glass Casket, and many others.

DYING FETUS

Dying Fetus is a brutal death metal band formed in 1991 in Upper Marlboro, Maryland, United States. Dying Fetus's music is a hybrid of death metal and grindcore, characterized by extremely fast blast beats, complex riffing and slow breakdowns. Lyrics-wise, the band dabbled in the usual gory death metal subject matter on their early albums, and respectfully covered "Born in a Casket," a song originally written by famous death metal band Cannibal Corpse. By 2000's Destroy the Opposition, however, they shifted towards politically driven lyrics. Their lyrics are often left-wing, mostly consisting of aggressive critique addressed towards things such as religion, corporations, consumerism and war. Their fusion of death and grind is called Slam.

at Webster Theatre
39-41 Webster Street
Hartford, United States

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Hot Buttered Rum And Cornmeal

Hot Buttered Rum and Cornmeal
Event on 2012-03-04 20:00:00
This Spring, San Francisco's Hot Buttered Rum emerged from the studio with their most innovative and mature album to date, the upcoming Limbs Akimbo. Initially formed as an acoustic string band, seven years of constant touring has transformed the group into a plugged-in, percussive powerhouse that wows critics and fans alike. Their left-coast rock reveals an access to jazz, country, and world music that few groups can match. While their music belies simple categorization, the band's songwriting and stage chemistry delights listeners at every performance.

"Limbs Akimbo," the upcoming album's title cut, supports its smart, soulful lyrics with West-African guitar and bell patterns, a bubbling mandolin, and a three-piece horn section. Meanwhile, the familiar guitars, drums, and chorus of a working rock act propel "Brokedown," while the O Brother Where Art Thou-like banjo and fiddle drive "Summertime Gal." As diverse as their palate may be, the band doesn't rely on novelty to draw in its fans. In a world where the eclectic has become the norm, it's refreshing to find in Hot Buttered Rum an intuitive understanding that the toe-tapping, verse-chorus-bridge pop- rock sounds of yesteryear still move the hearts " and bodies " of an audience. HBR's diversity of sound, instrumentation, and style still rest upon the inspired genius in their songcraft; the positive, uplifting nature of their message both on and offstage; and, to borrow from critics, their "stunning virtuosity" in performance and execution. It's the combination of being both timeless and timely that makes HBR a favorite live act " from cultured arts centers to sold-out auditoriums " and has fostered a highly devoted, national base of multigenerational fans that follows the band from town to town. In an age longing for optimism and forward movement, HBR are more than music for the ear; they are salve for the soul.

Cornmeal:

Formed over 10 years ago, Cornmeal has grown from humble beginnings into a nationally recognized live music institution. 10 years together is no simple task these days, especially when the last five have seen the band spending over half the year on the road. Heavily influenced by American roots and folk music, Cornmeal blends lightning fast tempos and impeccable harmonies into an unrivaled live performance that continues to expand upon the five-piece acoustic-electric groups" vast musical repertoire. While steeped in the tradition of the past, Cornmeal continues to forge their own path, pushing the boundaries of bluegrass, Americana and folk for a whole new generation of music lovers. With a rapidly growing fan base and ever-evolving sound, Cornmeal challenges the recipe of the bluegrass sound and live performance.

at PAC3 Theatre, Carbondale, Co.
520 South Third Street
Carbondale, United States

Pert Near Sandstone – Majors Junction – Clark Paterson
Event on 2012-03-03 21:00:00
Sat, Mar 3 – 9pm –

Pert Near SandstoneMajors JunctionClark Paterson

Take old time music off the back porch, throw out the hillbilly reputation, and put it in the hands of a group of guys that like to work hard and play even harder. Pert Near Sandstone rejuvenates American stringband music with raw energy; they play tightly-crafted original material that lends itself to the modern audience, as well as being stewards of the old-time and bluegrass traditions. They are just as at home playing fully acoustic in the traditional style as they are plugged in at an indie rock venue. From saloons to theaters, hollering into a single microphone and laying thick rhythm on driving fiddle melodies, their sweat-inducing, foot-stomping live performances keep crowds begging for more all night long.Pert Near Sandstone emerged from the same roots-based musical hotbed in Minneapolis that gave birth to Bob Dylan, The Jayhawks and Spider John Koerner. Originally formed by four friends from the same hometown, Pert Near Sandstone formed unintentionally over weekly, whiskey-fueled picking sessions in an old house in St. Paul, MN. They decided without any real intentions to start playing shows and the chemistry of their music and friendships, even early on, left people feeling like the party followed them everywhere they went. Word of the bands’ uncanny ability to whip audiences into frenzies spread and they were invited to play some of Minnesota’s most legendary venues including First Avenue, the Cedar Cultural Center and the Historic Orpheum Theater.The band has been taking their show across the country, paying their dues in smoke filled taverns and roadside juke joints while organically building a dedicated following from coast-to-coast. Their formative years on the road painstakingly paved the Pert Near path as the band traversed from city-to-city winning over audiences “the old fashioned way”; face-to-face. Over the course of the next five years, the band maintained a full touring schedule appearing at many national festivals and sharing the stage with many legendary musical talents; the likes of Del McCoury, WILCO and Yonder Mountain Stringband.In 2008, Pert Near Sandstone was hand-picked by Garrison Keillor to appear as the featured musical guest on A Prairie Home Companion where Garrison proclaimed that, “The group has become a force on the Minnesota roots music scene and beyond.” Fellow Minnesota speed-grass band Trampled by Turtles is proud to wave the Pert Near flag high and wide with band leader Dave Simonett calling Pert Near Sandstone one of his “favorite contemporary bluegrass acts in the United States.”The band’s stock is sharply on the rise with their recent victory at the prestigious Northwest String Summit Band Competition. The band’s originally arranged rendition of The Beatles’ “I Am The Walrus”, from the Minnesota Beatle Project Volume 2 (2010), was inducted into Minnesota Public Radio’s (89.3 The Current) Chart Show Hall of Fame in January of 2011 following 12 weeks on the Top 20 list; 10 of these weeks in the top 5, and 5 weeks at #1.With the release of their fourth album, Paradise Hop, Pert Near Sandstone has managed to harness the raw energy of their famed live shows and inject it into 12 tracks of original material and a couple of originally arranged traditional songs sprinkled on top. The band’s trials and tribulations, encountered during life on the road as a Modern American Strigband, spill out in vivid detail on tracks like “Long Decline”, “Appalachian Girl” and “Solid Gone”. Wild-eyed, lightning fast tracks like “Reuben’s Train”, “Crossroads” and “Paradise Hop” place the band’s commanding technical prowess front-and-center, while a much more cerebral and introspective facet of the band’s songwriting shines through on tracks like “Save Me” and “Parse”. Paradise Hop is a celebration of life in all of its glorious peaks and torturously painful valleys that leaves listeners with an acute sense of what it’s like to step into the beautifully twisted world of Pert Near Sandstone.

at Martyrs’
3855 N Lincoln
Chicago, United States

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